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A sharecropper on a Mississippi plantation, a bootlegger, gambler, ladies' man, and dynamic blues singer and guitarist-Muddy Waters's life is traced in this original biography of the legendary blues man from the early twentieth century to his death in 1983. Interviews with key industry figures such as James Cotton, Willie Smith, Junior Wells, Jimmy Rogers, B. B. King, Bo Diddley, John Lee Hooker, and Marshall Chess prove to be a source of priceless anecdotes and lend substance and texture to this compelling portrait of a blues pioneer.

Muddy Waters Blues folk art 24 x 36 Large Blues canvas art print24 x 36 Large Canvas print stretched over a wooden frame, UV coated inks an...

Muddy Waters Blues folk art 24 x 36 Large Blues canvas art print24 x 36 Large Canvas print stretched over a wooden frame, UV coated inks an...

Muddy Waters Blues tribute posterMuddy Waters Poster 12 inches by 18 inches. Digitally printed on speckletone cardstock, hand signed by the artis...

2 original 60s Chess LP's reissued on 1 CD. 'Sings Big Bill' is a tribute to Big Bill Broonzy and 'Folk Singer' is an all acoustic session with Buddy Guy on guitar and Willie Dixon on bass. Remastered.

Vinyl LP pressing. On vinyl for the first time in decades, this was Muddy Waterss first, and Chess Records third, LP release, collecting his hit singles for the label to that point. It features indelible, deeply influential tracks, including Rollin Stone, which inspired a certain British band. Eight of the albums 12 tracks, including Im Your Hoochie Coochie Man, were top 10 hits. Muddy Waters' influence was tremendous, not just on blues and rhythm and blues but on rock and roll, hard r

Muddy Waters at Newport 1960 Muddy Waters - LP 829421144908

Limited colored vinyl LP pressing. That these three ever got into the same room together is a miracle, and that they produced something so intense, energetic and weird is another almost unbelievable feat. Long form jams roll on in a trance as the trio of blues legends flex egos, talking shit to each other, trading off leads and ducking blasts of unexpected wah-wah guitar lines. Songs are peppered with an incredible level of banter between the trio of bandleaders that predicts the call and respon

Book is in NEW condition. 0.42

May we exist like a lotus, at home in the muddy water. Thus we bow to life as it is. This verse, often recited in Zen retreats, is an important reminder, says Ezra Bayda, of what the spiritual life is really about: the willingness to open ourselves to whatever life presents—no matter how messy or complicated. Through that willingness we discover wisdom, compassion, and the genuine life we all want. Bayda applies this simple Zen teaching to a range of concerns from everyday life—including relationships, trust, sexuality, and money—showing that we have all the material we need for practice right here before us, and that peace and fulfillment is available to everyone, right here, right now, no matter what the circumstances.

May we exist like a lotus, / At home in the muddy water. / Thus we bow to life as it is. This verse is an important reminder, says Ezra Bayda, of what the spiritual life is truly about: the willingness to open ourselves to whatever life presents—no matter how messy or complicated. And through that willingness to be open, we can discover wisdom, compassion, and the genuine life we all want. In At Home in the Muddy Water , Bayda applies this simple Zen teaching to a range of everyday concerns—including relationships, trust, sexuality, and money—showing that everything we need to practice is right here before us, and that peace and fulfillment is available to everyone, right here, right now, no matter what their circumstances.

Digitally remastered two-fer containing a pair of rare Chess Records albums from 1971. They Call Me Muddy Waters is a mixture of rare late '50s and mid-'60s material. Live at Mister Kelly's was recorded in Chicago with Muddy's band of the time, with harmonica player James Cotton appearing under a pseudonym. BGO. 2010.

UK 180gm vinyl LP pressing. Muddy 'Mississippi' Waters Live (1979) is a live album by Blues guitarist Muddy Waters. The recording was awarded the Grammy for Best Ethnic or Traditional Folk Recording in 1979. Accompanied by Johnny Winter and his band, Muddy Waters turns in an enthusiastic performance on Muddy 'Mississippi' Waters Live. The set list contains most of his biggest hits, and the sound quality and performances are energetic. Containing the Waters classic 'Deep Down in Florida' the albu

Gathers local folklore, folk songs, childrens games, and essays on race, the Black church, and Black artists

“I See Thru Muddy Water,” is a compelling tale that exposes the secret lives of "down-low" men. The duplicity of this lifestyle leaves so many women wounded and ravaged with disease. This book runs on the raw side as the writer discloses her own dirty laundry from the past. Nichol Collins shares frank encounters with a variety of men ranging from law enforcement officers to clergymen. She discloses the fetishes which "so called" straight men enjoyed with her while she was a transgender lesbian. Perversion is a spirit without boundaries. Many men were attracted to her male appearance and willingly paid her to fulfill their erotic fantasies. After two decades in this aberrant arena exploring a little bit of everything, Nichol surrendered to the Lord. Her purpose for writing this story is to enlighten women about the treachery of "down-low" men. She tells you all the signs to be cognizant of to escape falling into their trap. www.globeshakers.com

Every field has its "bossman"--the one who sets the style and makes the rules. In bluegrass and early country music the man was Bill Monroe. In the world of urban blues, the man was Muddy Waters. Using their own words and dozens of remarkable photographs by David Gahr, Carl Fleischhauer and John Byrne Cooke, James Rooney compares and contrasts the careers of these two bossmen. Both grew up in remote rural areas. Muddy Waters heard field hollers, church music, jubilees, shouts, string band music, and the raw sound of the delta blues; for Bill Monroe it was square dance music, hymns, old country ballads and the fiddling of his Uncle Pen Vandiver. Both brought their music to the big cities: Bill to Nashville, Muddy to Chicago. Musicians who passed through their bands went on to form bands of their own, giving rise to the worlds of Bluegrass and Chicago Blues. But this is more than a book about music; it is a book about black and white America. In microcosm, it is almost a history of this country; and it sets up striking comparisons that cut deep into our heritage and ways. In the words of Pete Seeger: "Anyone in the world wanting to understand American music could well start right here."

“I See Thru Muddy Water,” is a compelling tale that exposes the secret lives of "down-low" men. The duplicity of this lifestyle leaves so many women wounded and ravaged with disease. This book runs on the raw side as the writer discloses her own dirty laundry from the past. Nichol Collins shares frank encounters with a variety of men ranging from law enforcement officers to clergymen. She discloses the fetishes which "so called" straight men enjoyed with her while she was a transgender lesbian. Perversion is a spirit without boundaries. Many men were attracted to her male appearance and willingly paid her to fulfill their erotic fantasies. After two decades in this aberrant arena exploring a little bit of everything, Nichol surrendered to the Lord. Her purpose for writing this story is to enlighten women about the treachery of "down-low" men. She tells you all the signs to be cognizant of to escape falling into their trap. www.globeshakers.com

Transcribed from 78 rpm recordings and preserved here long after many of the records have disappeared, this collection of nearly three hundred songs from more than one hundred singers celebrates the diversity of feeling and form that defines the blues. Ma Rainey, Blind Lemon Jefferson, Bessie Smith, Leadbelly, Memphis Minnie, Robert Johnson, and Muddy Waters are represented with their lesser-known contemporaries—Barefoot Bill, Barbecue Bob, Bumble Bee Slim, and Black Ivory King. This complete anthology also features lyrics by Blind Blake, Victoria Spivey, Blind Willie Johnson, "Funny Paper" Smith, Texas Alexander, Lightning Hopkins, Mance Lipscomb, Ma Yancey, King Solomon Hill, Skip James, Arthur "Big Boy" Crudup, Son House, Willie Brown, Mississippi John Hurt, Bukka White, Furry Lewis, Sleepy John Estes, Rev. Gary Davis, Roosevelt Sykes, Peetie Wheatstraw, Sonny Boy Williamson, Kokomo Arnold, Tampa Red, Howlin'Wolf, John Lee Hooker, Charlie Patton, and more than 100 others. Dozens of illustrations are included.

Muddy Waters bestrides American music like a colossus. He invented electric blues and created the foundation for rock and roll. Leaving behind the cotton fields of rural Mississippi, he moved to Chicago, plugged in an electric guitar and changed the world. In Can't be Satisfied, Robert Gordon gives us Muddy's epic, rollicking, up and down life as we've never read it before. Combining the most extensive research and interviews ever done on Muddy with a writing style as rich, poetic and powerful as the music he writes about, Gordon transports us: we are alongside Muddy in the cotton fields as he is discovered by Alan Lomax; we are on the South Side of Chicago as Muddy and his band become stars and innovators; and we follow Muddy through scores of women, hits, bottles of booze and moments of divine grace. A must for blues and rock fans, Can't be Satisfied is a brilliant work of musical archaeology.

Drawn from in-depth research and detailed interviews, an authoritative biography of the father of modern blues details his turbulent life, from the cotton fields of rural Mississippi to his extraordinary rise to success, forever changing the music industry. 40,000 first printing.